Hairspray (USA, 2007)
Directed by Adam Shankman
Starring Nikki Blonsky, John Travolta, Michelle Pfeiffer, James Marsden
It's widely acknowledged that adapting a source from one medium to another may cause many of its most distinctive elements to get lost in translation. On the rare occasions that an attempt is made to re-adapt the adapation back to its first form, the results can be disastrous. This is the fate that befell The Producers, which started as a great Mel Brooks film, then became a very good stage show, and finally ended up a rubbish second film at the hands of first-time director Susan Stroman.
a load of old poop", containing duds like Cheaper by the Dozen 2, The Pacifier and Rock of Ages. His background in choreography would lead us to predict another High Society, namely a musical where the director (whether Shankman or Charles Walters) is far too concerned with giving his actors enough room to dance to worry about the small matter of capturing emotion.
second and third Step Up films around this time. The differences between the directors' projects seem obvious even at first glance, with the Step Up films lacking a period setting, political ambitions or sometims even a coherent storyline. But more crucially, Shankman understands that there is more going on in a musical number than just the song or dance - and on a wider level, that a musical film has to be more than just a series of said numbers. While Chu's films are at their most basic a series of disconnected music videos, Shankman manages to keep his eye on the story even when things are at their most visually flamboyant.
12 Years A Slave. Both versions are films which wear their hearts on their sleeves; they don't tease out their message through composition and clever dialogue, they flaunt it on the back of big facial expressions and catchy music. The campiness of the original is exchanged here for the wide-eyed, earnest yet carefully rehearsed optimism of Broadway. In each case, the subtext is there if you want to go looking for it, but it's presented in an entrist, accessible way for its target audience, and never feels the need to talk down to them just to make a point.
The Rocky Horror Picture Show. This remake is very faithful to the original in several key respects, and it's unclear how much people it will draw to the original by virtue of its existence. But it also manages to justify itself as a musical in its own right, with memorable characters, well-written songs and some good performances.
NEXT REVIEW: The Grand Budapest Hotel (2014)