Cradle 2 the Grave (USA, 2003)
Directed by Andrzej Bartkowiak
Starring Jet Li, DMX, Gabrielle Union, Mark Dacascos
When cinematographers turn their hand to directing, the films that result often look appealing but lack the substance or storytelling skill of the films which they only helped to shoot. The career of Dutchman Jan de Bont is a classic case in point. As a cinematographer, de Bont lensed some of Paul Verhoeven's finest work, including Keetje Tippel and The Fourth Man, as well as lending his considerable expertise to the likes of Die Hard and Black Rain. With the exception of Speed, his directorial career has been poor, from the largely underwhelming Twister to his totally brainless remake of The Haunting.
Westworld, I talked about the way that films directed by novelists often fall flat because they lack an understanding of how cinematic storytelling works. The issue, I said, was that writers "are so attentive to verbal content that they neglect the visual characteristics of great cinema." With cinematographers, it is to some extent the other way around: they understand how to light and assemble a shot so that it looks gripping or intriguing, but they can't string these shots together to serve a story. Often, as in this case, the story isn't distrinctive enough to merit all their visual labours.
Beverly Hills Cop.
Inception worked brilliantly because Christopher Nolan intrinsically understood the mechanics of the heist film; he know where he wanted to push the envelope, and he knew the means by which to achieve this. The point is, if you are going to make a genre film and don't have the talent to reinvent the wheel, you need to have sufficient skill or verve to put your own stamp on it.
Ghosts of Mars. Like many musicians who attempt to transition into acting, you never get the sense of him playing a character; he's just posing on screen as himself, as if he was too worried that if he actually gave a performance, people might forget who he was.
Bring It On three years earlier, but here she has too little to work with and the scenes where she has to play the sexy role are clunky and exploitative. Anthony Anderson was fine in Romeo Must Die (also directed by Bartkowiak), but in this film he's relegated to a more comic background character, playing the sort of role once filled by the late John Candy. Most disappointing of all is Jet Li, who was fantastic in Hero just before this was filmed. While Li has never been Jackie Chan in terms of charisma, Zhang Zimou clearly knew how to channel his talents in a way that Bartkowiak never manages. As a result he's reduced to the 'wise, all-knowing Oriental' stereotype indelibly associated with Pat Morita.
Stick It and Mean Girls, but here his angles are unengaging and much of the film looked needlessly washed-out.
Return of the Jedi where Han Solo is released from the carbonite. It may be gratuitous and over-the-top, but after all the predictable fodder that has gone before, it's arguably the best scene in the film.
NEXT REVIEW: Hairspray (2007)