Notorious (USA, 1946)
Directed by Alfred Hitchcock
Starring Cary Grant, Ingrid Bergman, Claude Rains, Leopoldine Konstantin
IMDb Top 250: #146 (21/7/12)
This is the 50th Review I have written since launching Mumby at the Movies.
There are many stories about fights between producers and directors, some of which have become Hollywood legends in their own right. Think of Terry Gilliam's quarrelling with Bob and Harvey Weinstein over The Brothers Grimm, which saw Gilliam's cinematographer fired, his casting choices vetoed, and ultimately resulted in his worst film. Or go a little further back, and think of Richard Donner's conflicts with Alexander and Ilya Salkind, which saw him replaced by Richard Lester mid-way through the shooting of Superman II.The Paradine Case. Notorious is at the upper end of the work Hitch achieved in his early years in America, combining a timely, pulpy story with a strong central relationship. While it never quite fires on all cylinders, and only truly takes flight in the final reel, it still includes much to be enjoyed or appreciated.
Cinema Paradiso a headache trying to remove every last kiss.
interview with the AFI in the 1960s, he gave the example of Cary Grant in North by Northwest, who escapes from an auction by getting thrown out for making nonsensical bids. Both this and the champagne bottles are Hitchcock being resourceful with decorative or incidental features, and in doing so deepening the environment in which the characters find themselves. This and his ruthless editing make the whole thing feel a lot less mechanical than it otherwise could.
The Boys from Brazil, Franklin J. Schnaffner's enjoyably silly romp about Hitler clones based on the novel by Ira Levin. Both films are fundamentally pulpy in nature, drawing on and exploiting recent scientific breakthroughs to further a science fiction-inflected story. While The Boys from Brazil used the beginnings of cloning as a springboard to different ethical issues, Notorious uses its MacGuffin to tie in with the political tensions in Europe, many of which had started over the capture of German scientists and the remaining V2 rockets.
The Stepford Wives, so Notorious never entirely takes flight in the way that The Lady Vanishes did. Much of the problems with the film can be put down to Selznick, who made life increasingly difficult for Hitchcock and attempted to re-cast the film behind his back. Having failed to replace Cary Grant with Joseph Cotton (who would later star in The Third Man), Selznick resorted to sending Hitchcock constant demands for rewrites and reshoots. He eventually sold the picture to RKO, allowing him to claim 50% of the profits as well as $800,000 upfront.
Verdict: Not first-rate Hitch but still suspenseful